Posts Tagged ‘Contempeorary Indian Dance’

Nritarutya performs at Sangam Festival 2010

September 2nd, 2010

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Nritarutya is honoured to be invited to present its work at the prestigious “Sangam” Festival by Art Vision founded by Dr.Ileana Citaristi.

SANGAM, A CONFLUENCE OF DANCE has been an annual dance festival of Art Vision since 2005. The festival is conceived as an offering of new and exclusive choreographic compositions in two different dance styles in honour of all the Gurus who have guided and inspired us. Every year two styles of dance come together on the same platform to showcase recent and innovative works. While Odissi is a constant factor, the other style varies.

This year Nritarutya has been to represent the Indian Contemporary dance genre. We are presenting a production comprising of unique pieces from our repertory, choreographed by Mayuri Upadhya and Sathya B G. An exciting experiment of ideas and movements in dance, the presentation explores concepts of mythology to modern age themes.

This year the repertory group of Art Vision will premiere the work KARUNA, inspired by Mother Teresa’s life. The script has been jointly written by Devdas Chhotray and P.K. Misra and music by Laxmikanta Palit. The choreography is by Dr IIeana Citaristi.

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sangam 2008

The program will open with a projection of select items from Sangam festivals 2005-2009. The other accomplished artists who have earlier performed in this festival are Smt.Priti Patel, Smt.Priyadarshini Ghosh, Smt.Rajashree Shirke, Smt.Vijayanthi Kashi and Smt.Parvati Dutta.

We are delighted to invite you all to celebrate dance at the Sangam Festival on September 10th, 7 pm at Rabindra Mandap, Bhubhaneshwar.

sangam 2009

AT THE THEATRE SCHOOL IN SANEHALLI-by Madhuri

July 10th, 2010

It seemed like the birds and insects were having a rave party outside, it poured like lord Shiva was dancing in joy! My first night at ‘Shivakumara Ranga Prayoga Shale’- a school which teaches theatre in a village of Chitradurga district, Sanehalli. Lets talk about the day now-I reached Birur and Madhu, the administrator picked me up in the school van, I heard about the many renowned theatre artist’s like Smt.B.Jayashree, Sri Prasanna from Ninasum, Sri K.G.Krishnamurthy, Sri Basavalingiah, artists from N.S.D, visit to the institute –made me a bit nervous! We halted at a nearby village Ajjampura where I had the privilege of meeting an old man Sri.Krishna Murthy, who had been documenting newspaper cuts of theatre from all over the country-he even has won awards for it and people from through out India visit him for references.

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Shivkumar Ranga Prayoga Shale is a reputed, residential school, which gets around 50 applicants every year among whom only the best 18-20 are selected. These students are trained in various aspects of theatre like Abhinaya, Aharya, and Western theatre at the end of which they need to give their exam to get a diploma. The school also absorbs the best of these students to create a new play that tours all over the country for a year (Thirugaata).

I met a couple of bright-eyed students when I was sitting in the portico. They looked lithe and strong. I remembered I was told that I could go on the whole day if I wanted to, I wondered “the whole day, how tough are they”???

I was introduced to a set of 20 theatre students mostly in their early 20’s. I began by telling them a bit about the history of contemporary dance. I started with an easy warm up and included some simple rhythm based movements. I soon realised I have to first introduce them to the basics of speed, pointwork and moving with music before I proceed. Didn’t know how time flew by, both our energy levels were rising.

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It was mid April, scorchingly hot in Sanehalli and suddenly it began to pour to everyone’s surprise. The place we were rehearsing became wet and away went the electricity. Guess what we did? Instead of stopping work we danced in rain, wow it was so much fun. We danced with sticks which is called Kolata, a traditional folk form of Karnataka. Our folk dances are really a great way of bonding, it would be fun to introduce them in urban discos. We then shifted to one of the classrooms to practice rhythm and footwork in candlelight. As opposed to a regular class-format, I decided to have fun asking the students to stand in a circle with me in the centre turning direction every time to teach.

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It stopped pouring and 3-4 students got down to mopping the floor. They took turns in cleaning the studio everyday- a beautiful system which teaches you how important teamwork and dignity of labour in the field of art is!! We programmed some basic beats in the keyboard to practice spins to end the day.

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In my spare time, I used to chat with Mr.Nataraj Honnavalli, the principal, a very learned, witty man who loves to crack jokes, we hit it off very well, discussing everything under the sun from politics to art.

As it was raining heavily, we closed all the windows. When I was asleep a little bird, which looked like yellow-throated sparrow, lost its way, got stuck inside the room and was flying frantically. I got up and opened one of the windows to help the bird but couldn’t. After a long time, the bird found its way out, when another bird from outside came and saved it showing the way out. I didn’t know how the sparrow knew it’s friend was stuck inside, I guess some of nature’s most exquisite work is on a miniature scale!!

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The next day when they had a kalari session in the morning at the outdoor Greek amphitheatre, I prepared for my next choreography session with them. When I asked them to compose on their own, they came up with some brilliant compositions which I guess even I wouldn’t think of. I think their theatre education has given them a strong sense of blocking. Also did some contact work and each one would try and say, “mam’ mam’ look at me”, imagine a 20 mam’s to attend too, I love their zealous, drives me to teach them more.

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We spotted a snake lying next to the door which was chased by the students as though they were chasing a dog!! Everyone is in harmony with nature here, if there is a natural calamity tomorrow these are the people who will survive I guess, ha ha!!

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I became one of them, supremely spirited, eager to share my knowledge, woke up early started class at 6.30 am. Many of them were complaining of body pain, price of enthusiasm! Took an easy stretching session to ease their pain. I set their choreography, which Mr. Honnavalli wanted to use for a poem later. I was happy to see how fast they progressed in 3 days. Their sincerity to learn and absorb anything you throw at them is extremely motivational for anyone who works with them. The students used to say I brought rain to Sanehalli and would be beneficial to take me to a desert.

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While I was waiting in the bus to Bengaluru, there was a girl who had run away from the house because her father scolded her. The whole village knew who she was and advised her to get off the bus and go back home. This would never happen in a city, where there is so much population and I guess that girl would have been lost forever!!

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I went to teach dance in Sanehalli but came back a student with a lot of rich experiences. I think it’s a must for all of us to invest time in our villages, it’s our roots.

Dance Kathe-by Hemant Kumar

February 12th, 2010

I have been dancing since I was 12 yrs old. Lucky enough for me I have always danced for an audience, at small gatherings and family get together’. My siblings, friends, cousins, would put music on and ask me to dance. It was on one of the most popular songs of the movie, Kadalam, ‘Urvashi Urvashi…’ . This was my first dance inspiration and first dance ever.

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Gradually I started with performing at school.Once I vividly  remember  dancing as a hero in an Adivasi dance, others around me were dressed in leaves!Also danced for a piece as an invisible man, another time acted as a chair- prop!

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My holidays meant me working at an Agarbatti factory and sometimes visit my grandmother. Close to her house was Vijaya Film Institute and there would be people practicing dance, and I would go and watch them all the time. While on School trips, I would be made to dance on the bus too, all the encouragement always got to me. Later, we shifted to the city, this gave me good opportunity to go and visit dance classes, I would go there daily after school. Since I wasn’t allowed inside, I would stand at the window and watch, make friends with dancers.

Luckily the Dance master saw me and asked me to assist them for a show once, and there it started, I would go and assist the dancers for their shows, even when they didn’t call. Once the dance master used me as a prop, I was asked to stand for 20 seconds on the stage and exit.

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It was a break for me, I started with another show, which was a competition at Yelahanka, Snehitara koota, my happiness knew no bounds when we were  put in the front row to dance, but only later we realized our hands and faces were to be covered, we couldn’t even see. But we won, we managed the consolation prize.


untitled-15 I soon quit because of certain issues. There were some more to  combat,my family wasn’t happy, and so they wouldn’t allow me to join classes or help me monetarily, but my passion took over and I continued, as I was soon offered to dance with other classes. Here, they persuaded me to even dance and practice. Two of my seniors worked with me on my flexibility and warm ups, Raghu and Naveen helped me learn dance sequences and perform them. We did more than 400 stage programmes with them. During these times, it used to get  late for us to get back and we would actually end up walking  five kilometers back home.

Too many violations and we left as a group for good. Sai Arts International happened soon after that, since they were short of people we would join them f or many collaborations and shows. I remember once wearing elaborate costumes for a Bharatnatyam dance drama collaboration, under this banner. I started conducting classes for them, they had two branches, and would have to travel around 250 kilometers to Dhavangere, twice a week for the same.

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At one class, while rehearsing the front flip I lost balance, fell down and got a lower back hair line injury. This was grave, very seriously injured, I couldn’t move my body at all, and hence had to give up dancing for more than a year. I did resume back, as a freelance dancer for stage shows.

Meanwhile Rohan, called me in for auditions with Nritarutya. I was acquainted with their work since I had seen couple of their shows. I got through the auditions and my term with Indian Contemporary dance saw its dawn. Initially worked part time with the team for I was still working with Tata Indicom, my term with them ended and I joined here full time.

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It became a new experience for me to live,”different”. I was a Full time dancer. I dance now to my heart’s content, grow and learn every single moment to the fullest. Having done shows and choreographies and traveling with Nritarutya, to Dubai and Pakistan world performing arts festival, it has been an experience to live for ages.
In my family no one likes dancing … they feel there is no life in this.

To me it doesn’t matter if there is a future as bright as others in it, to me when one is dancing, he should be ready for both success and failure, what counts is commitment to the work, change is a persistent factor. Challenges are to be faced any way, you win some and lose some, but doesn’t mean that you don’t pursue them at all! I will and hence I have pursued dance here, for I am committed and shall always be to whatever I do, for now its Dance!